{"id":25387,"date":"2026-06-23T08:41:00","date_gmt":"2026-06-23T03:11:00","guid":{"rendered":"https:\/\/banitoday.com\/a-riveting-review-of-the-house-of-bernarda-alba-power-betrayal-and-obedience-delhi-news\/"},"modified":"2026-06-23T08:41:00","modified_gmt":"2026-06-23T03:11:00","slug":"a-riveting-review-of-the-house-of-bernarda-alba-power-betrayal-and-obedience-delhi-news","status":"publish","type":"post","link":"https:\/\/banitoday.com\/hi\/a-riveting-review-of-the-house-of-bernarda-alba-power-betrayal-and-obedience-delhi-news\/","title":{"rendered":"A Riveting Review of The House of Bernarda Alba: Power, Betrayal, and Obedience | Delhi News"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div data-articlebody=\"1\"><video-embed value=\"false\"\/><\/p>\n<div class=\"ihgno clearfix  \">\n<div class=\"e9jwa\">\n<div class=\"vdo_embedd\">\n<div class=\"GfdvZ\">\n<section class=\"_bIDB  clearfix id-r-component leadmedia undefined undefined  E9tg9 \" style=\"top:0px\">\n<div class=\"_bIDB\" data-ua-type=\"1\" onclick=\"stpPgtnAndPrvntDefault(event)\">\n<div class=\"ypVvZ\">\n<div class=\"WGttI\"><img src=\"https:\/\/static.toiimg.com\/thumb\/msid-131908811,imgsize-441450,width-400,height-225,resizemode-72\/a-still-from-the-play-the-house-of-bernarda-alba.jpg\" alt=\"Theatre Review: A haunting tale of power, desire, betrayal and the cost of obedience\" title=\"A still from the play The House of Bernarda Alba\" decoding=\"async\" fetchpriority=\"high\"\/><\/div>\n<\/div>\n<\/div>\n<div class=\"Ta7d_ img_cptn\"><span title=\"A still from the play The House of Bernarda Alba\">A still from the play The House of Bernarda Alba<\/span><\/div>\n<\/section>\n<\/div><\/div>\n<\/div>\n<p>Nearly 90 years after Federico Garc\u00eda Lorca wrote <span class=\"em\" data-ua-type=\"1\" onclick=\"stpPgtnAndPrvntDefault(event)\">The House of Bernarda Alba<\/span>, the play continues to feel unsettlingly relevant. Directed by Shomik Ray and staged by Shapno Ekhon, this all-women production is a powerful reminder that control and surveillance are not always imposed from outside, they often take root within the home itself.<span class=\"id-r-component br\" data-pos=\"4\"\/> <span class=\"id-r-component br\" data-pos=\"6\"\/>The play unfolds after the death of Bernarda Alba\u2019s husband, when she imposes eight years of mourning on her five daughters. What follows is tragedy about authority, desire, betrayal and the cost of obedience. Watching it today, one is reminded of philosopher Paulo Freire\u2019s observation that the oppressed become oppressors and go on to reproduce them. Bernarda is not merely an authoritarian figure; she is also a custodian of a system that has <span class=\"id-r-component br\" data-pos=\"9\"\/>shaped her.<span class=\"id-r-component br\" data-pos=\"13\"\/> <span class=\"id-r-component br\" data-pos=\"15\"\/>One dialogue, in particular, lingers long after the curtain falls. \u201cThe only right you have is the right of obedience,\u201d says Bernarda to her daughters \u2013 it captures the essence of the play. It is a statement that transcends the household and speaks to every structure that values conformity over freedom. The strength of the production lies in its portrayal of the sisters. The jealousy and animosity between them are conveyed with conviction. Rather than uniting against Bernarda\u2019s rule, the daughters become trapped in rivalries fuelled by confinement and frustration, reflecting how repressive systems fracture social relations. The set design reinforces a sense of confinement, with windows serving as reminders of a world that can be seen but not accessed. <span class=\"id-r-component br\" data-pos=\"19\"\/>Adding to it is an evocative musical score by Subhashish Sam that heightens the atmosphere of tension and anticipation running through the play. While rooted in rural Spain, its themes of surveillance, reputation, conformity and control remain recognisable across societies. I wished the production had pushed a little further into the play\u2019s broader political resonances. Bernarda\u2019s household often feels like a metaphor for authoritarian systems, and a sharper emphasis on that dimension could have added more punch.<span class=\"id-r-component br\" data-pos=\"21\"\/> <\/p>\n<div data-pos=\"0\" class=\"id-r-component iIpbx undefined  &#10;        \">\n<div><img decoding=\"async\" alt=\"The House Of Bernarda Alba\" msid=\"131908886\" width=\"\" title=\"\" placeholdersrc=\"https:\/\/static.toiimg.com\/photo\/83033472.cms\" imgsize=\"\" resizemode=\"4\" offsetvertical=\"0\" placeholdermsid=\"47529300\" type=\"thumb\" class=\"\" src=\"https:\/\/static.toiimg.com\/photo\/msid-131908886\/the-house-of-bernarda-alba.jpg\" data-api-prerender=\"true\"\/><\/div>\n<\/div>\n<p><span class=\"id-r-component br\" data-pos=\"24\"\/>Want us to review your play? <span class=\"id-r-component br\" data-pos=\"26\"\/>Mail us at tims.delhitimes@timesofindia.com <span class=\"id-r-component br\" data-pos=\"28\"\/><\/div>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/timesofindia.indiatimes.com\/city\/delhi\/a-riveting-review-of-the-house-of-bernarda-alba-power-betrayal-and-obedience\/articleshow\/131908914.cms\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A still from the play The House of Bernarda Alba Nearly 90 years after Federico Garc\u00eda Lorca wrote The House of Bernarda Alba, the play continues to feel unsettlingly relevant. Directed by Shomik Ray and staged by Shapno Ekhon, this all-women production is a powerful reminder that control and surveillance are not always imposed from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25388,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[150],"tags":[],"class_list":["post-25387","post","type-post","status-publish","format-standard","has-post-thumbnail","category-delhi"],"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/posts\/25387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/comments?post=25387"}],"version-history":[{"count":0,"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/posts\/25387\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/media\/25388"}],"wp:attachment":[{"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/media?parent=25387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/categories?post=25387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/banitoday.com\/hi\/wp-json\/wp\/v2\/tags?post=25387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}